Showing posts with label holga. Show all posts
Showing posts with label holga. Show all posts

Saturday, March 16, 2013

Should You Photograph on Private Property?

Maybe. The question of whether you may photograph on private property with public access can differ quite substantially from the question of whether you ought to photograph on such property. And the two questions often yield disparate answers. There was a time when "forgiveness is easier than permission" was an idiom I employed regularly, but it certainly doesn't make for good relationships, and age and accumulated wisdom have taught me there's sometimes a better way.

There are often signs to guide you in determining whether or not you are permitted to photograph in such a place, ie: malls, churches, and government buildings. If you are on private property that is open to the public, photography is generally permitted unless indicated otherwise. But even in this situation, it may be best to seek permission from an official or someone associated with the facility.

But be mindful that taking photographs during a religious ceremony or service is unlawful in some places, and you could find yourself charged with a crime for so doing.

Where there is no one apparently around to ask and no signs for guidance, you should probably appeal to some form of common sense. Place yourself in the shoes of the property's proprietor, and consider whether you would want you around. But even this, done in good faith, can fail you.

On the north side of the town in which I live, there is a propane tank depot. And on one occasion, it seemed to me a perfectly befitting subject for my Holga. The business was closed and the property surrounded by a barbed-wire fence, but I didn't actually want or need inside the fence for the photo I had in mind. So I handed the camera to myself from over the fence and lowered it hand-under-hand by reaching through the fence. By the time I took the photograph and retrieved the camera, I noticed a woman from the business next door standing near my car and writing down information. I politely explained to her who I was and what I was doing; she was disinterested, and wouldn't even acknowledge me or that I was speaking to her. So in keeping with the British adage, I kept calm and carried on...and waited for the police to come knocking on my door (which fortunately didn't occur).

Below is the resulting photograph, though I'm certain it wouldn't have been worth any jail time.

A Propane Depot somewhere in Central Alabama

Monday, May 28, 2012

Opening the Golden Gate

Yesterday was the 75th anniversary of the opening of the Golden Gate Bridge in San Francisco. At the time, it was an innovative miracle, and is no less impressive today. In 2007, I went to San Francisco and was able to take a couple of nice photos of this landmark. And although that city was cold, even in July (in fact Mark Twain once said: "The coldest winter I ever spent was a summer in San Francisco."), I'd love to go back. Here is my favorite photo of the Golden Gate Bridge I have to offer.

Thursday, June 2, 2011

Formerly in Disrepair

Decrepit homes scar Highway 31 from Birmingham to Warrior, like pock marks on a face. Over the years, I have photographed a number of them. All of the ones featured here have since been removed, some within days or weeks of my having photographed (one of them, I think, as a direct result of my having stopped to photograph it).

Canon A-1, Fuji Neopan 400
Holga 120, Fuji Acros 100
Canon A-1, FD 20mm f/2.8, Kodak Gold 200
Panasonic LX3
Canon A-1, Kodak Gold 200
Panasonic LX3


Sunday, April 17, 2011

Here's Your Sign

Sonoma, California :: Canon A-1, FD 50mm f/1.4, Fuji Neopan 400

Gardendale, Alabama :: Holga w/ Fisheye Lens, Fuji 100 Acros
Jamaica :: Canon EOS 3, EF 24-85mm, Fuji Provia F100

Birmingham, Alabama at the Vulcan :: Holga, Ilford XP2 Super

Blount County, Alabama at Horton Mill Bridge :: Canon EOS 5, EF 50mm f/1.8, Ilford XP2 Super

Gardendale, Alabama :: Mamiya M645, Sekor C 45mm f/2.8, Ilford Pan F Plus

Birmingham, Alabama at Morris Avenue :: Canon T2i, EF 24-85mm f/3.5-4.5

Fultondale, Alabama at Black Creek :: Canon EOS 5, EF 24-85mm f/3.5-4.5, Ilford FP4 Plus

Gardendale, Alabama at Shady Grove :: Canon EOS 3, EF 24-85mm f/3.5-4.5, Ilford XP2 Super

Monday, February 21, 2011

After the Fog Rolls in

Canon A-1, Fuji Neopan SS

 Unreal City, 
Under the brown fog of a winter dawn

When T.S. Eliot penned those words in The Waste Lands, he so adeptly captured
the essence of the transformation which a city undergoes, when the fog sets in.
____________________________

Even the simplest, most innocent structures become surreal, eerie,
almost compelling you to look for something sinister in their midst.

Calumet 4x5, Schneider-Kreuznach 135mm f4.7, Ilford Delta 100

Holga, Arista EDU Ultra 400

And nature is no different. Peaceful mornings among the rudimentary, ancient woods that predate our own habitation, take on a different tone. One of isolation and solitude, whose connotations are of loneliness rather than a voluntary, if temporary, distancing.

Panasonic LX3

Panasonic LX3
_________________________

Carl Sandburg's Fog

The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

Holga, Ilford Delta XP2 Super